David Cronenberg Birthday March 15

David Cronenberg

David Cronenberg

 

David Paul Cronenberg, OC, FRSC (born March 15, 1943)is a Canadian filmmaker, screenwriter, and occasional actor. He is one of the principal originators of what is commonly known as the body horror or venereal horror genre. This style of filmmaking explores people’s fears of bodily transformation and infection. In his films, the psychological is typically intertwined with the physical. In the first half of his career, he explored these themes mostly through horror and science fiction, although his work has since expanded beyond these genres.

Trade Mark:

His films generally involve the horror caused by a mutation, by a parasite, or by particular medical conditions.

Uses dark backgrounds.

Films often include explicit carnage.

Frequent references to the Flesh or the New Flesh.

Frequently uses the music of Howard Shore.

Frequently casts Robert A. Silverman.

Movies about crime families.

Frequently casts Viggo Mortensen.

Trivia:

Costumes in his films are usually designed by his sister Denise Cronenberg.

Was set to direct Total Recall (1990). He even wrote a few drafts of the script before Paul Verhoeven took over.

Brother of costume designer Denise Cronenberg.

Father of Caitlin Cronenberg and Brandon Cronenberg.

Uncle of Aaron Woodley

Is of German / Dutch descent

John Carpenter paid homage to him in Escape from New York (1981). One of the United States Police Force guards is on the line with Hauk, then adds that Cronenberg is on the line for him. Another person paid homage to in the movie was George A. Romero, who had Isaac Hayes’s right-hand man named after him.

President of jury at the Cannes Film Festival in 1999

Directed an episode of “Friday the 13th” (1987), The Services, called Faith Healer. 13 years later, he appeared in the Friday the 13th film (unreleated to the series), Jason X (2001).

Was offered the chance to direct Star Wars: Episode VI – Return of the Jedi (1983) but he declined.

His crew referred to the final Brundlefly monster seen in the climax of The Fly (1986) as the Space Bug.

Father was a bookstore owner and sometime columnist for the Toronto Telegram. Mother was a piano rehearsal accompanist for the National Ballet.

Father died at age 61.

Deferred his own salary to make Spider (2002).

Father of Assistant Director Cassandra Cronenberg.

Cites Winter Kept Us Warm (1965) as his inspiration for becoming a filmmaker. It was screened at the University of Toronto when he was a student.

Has admired bugs and insects since childhood. This fascination has lingered on, and can be felt through many of his films.

At one point, Cronenberg was in line to direct the film “The Singing Detective” (2003), with Al Pacino in the lead.

Turned down the chance to direct “Top Gun” (1986).

Turned down the chance to direct RoboCop.

His regular cinematographer until 1988 was Mark Irwin until Dead Ringers (1988), on which Irwin was unable to work because of his commitment to The Blob (1988). Cronenberg then hired Peter Suschitzky, who became his regular cinematographer, and Cronenberg and Irwin have not worked together since then.

His father was a journalist and his mother played the piano. These roles are reversed in The Fly (1986), in which Jeff Goldblum plays the piano to impress Geena Davis, who plays a journalist.

Has often referred to The Brood (1979) as his own twisted version of Kramer vs. Kramer (1979).

Stephen Cannell Birthday February 5

Stephen Cannell

Stephen Cannell

Stephen Joseph Cannell (born February 5, 1941; rhymes with “channel”) is an American television producer, writer, novelist and occasional actor who is also the founder of Stephen J. Cannell Productions.

He has either written or co-written over 300 television scripts, created or co-created over two dozen television series, formed a successful production company, wrote best-selling police novels and even acted in his own and other producers’ shows. He has won an Emmy, two Writer’s Guild Awards, two Edgar Award Nominations and has a star on the Hollywood Blvd. Walk of Fame. Despite his many accolades, his first love continues to be writing.

Trivia:

Is Dyslexic.

During the early 80s, his office was located on the Paramount Lot while his shows were distributed by Universal Studios.

Three children, Tawnia, Chelsea, and Cody.

The filmed logo for his production company showed him at a typewriter, typing something onto a piece of paper, then throwing the paper in the air. In the background, we see a shelf containing his awards.

Is a member of the Sigma Chi Fraternity.

Last name means “cinnamon” in French.

Has a room in his home where he only allows other writers to enter.

Notable Credits:

“Mission: Impossible” (1966)

“It Takes a Thief”

“Adam-12″

“Toma”

“The Rockford Files”

“The Greatest American Hero”

“The A-Team”

“Wiseguy”

“21 Jump Street”

“The Commish”

George Romero Birthday February 4

George Romero

George Romero

George Andrew Romero (born February 4, 1940) is an American film director, screenwriter, editor and occasional actor, best known for his gruesome and satirical horror films about a hypothetical zombie apocalypse. He is nicknamed Grandfather of the Zombie.

Trademark:

Often features radio or television news broadcasts playing in the background.

Trivia:

Education: Carnegie-Mellon Institute (art, theatre, design).

Prior to Night of the Living Dead (1968), he was better known as an industrial film-maker, who created TV commercials, promotional featurettes and industrial training films. One of his assignments was to shoot short films that were used in the TV show “MisteRogers’ Neighborhood”.

Was originally slated to write and direct Resident Evil (2002).

Was slated to direct a theatrical version of Stephen King’s novel “The Stand,” adapted for the screen by Rospo Pallenberg. The film never materialised. Instead, the novel was adapted into a TV mini-series, “The Stand” (1994).

Frequently casts African-Americans as the heroes of his films, although the parts aren’t usually written specifically for any particular race, going against the stereotype of the Black character dying early in horror films.

In 1968, he reinvented the horror genre with his Night of the Living Dead (1968), a cult classic that made its way onto the prestigious National Film Registry of the Library of Congress.

The 2002 Sight & Sound Greatest Films Poll (2002) listed his Top Ten films as The Brothers Karamazov (1958), Casablanca (1942), Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964), High Noon (1952), King Solomon’s Mines (1950), North by Northwest (1959), The Quiet Man (1952), Repulsion (1965), Touch of Evil (1958), and The Tales of Hoffmann (1951).

Originally set to direct Pet Sematary (1989), but when filming was delayed, he dropped out and Tom Savini was given the opportunity to direct the film but passed. Finally, Mary Lambert stepped in.

Began making movies at the age of 14 with an 8mm camera.

Is good friends with stuntman/special-effects artist/actor/director Tom Savini. The two have worked together on many films.

Dawn of the Dead (2004), the remake of his movie Dawn of the Dead (1978), was released before the fourth part of his Zombie-series, Land of the Dead (2005), was even filmed.

He has two children, a son and a daughter (who will be attending Tisch, NYU in the Fall 2006 to study film-making).

He resides in Toronto, Canada.

Was originally set to direct two Stephen King stories that would later turn into TV features: Salem’s Lot (1979) (TV) & “The Stand” (1994).

Father of Tina Romero and G. Cameron Romero.

When discussing his influences, he has that the Universal horror classic made a strong impression on him and his favorite horror film as a child was The Thing from Another World (1951). However, the film he said made him want to be a director was The Red Shoes (1948). While discussing the directors who made a strong impression on him, he said that Orson Welles and Howard Hawks were his favorites, surpassing Alfred Hitchcock.

Was originally attached to write and direct Resident Evil (2002), but left the project in 1999 due to creative differences over the script.

Of Cuban and Lithuanian descent.

A big fan of The Archers’ (aka the British team of Michael Powell and Emeric Pressburger) movie The Tales of Hoffmann (1951), based on Jacques Offenbach’s operetta. He is interviewed at length about his love for the film and especially its artistic direction, use of color, and use of fantasy/horror themes in a special feature included on the Criterion Collection’s 2005 DVD release of the film. Before video tape and DVD versions of the film were available, Romero would frequently rent a 16-millimeter film copy–as would Martin Scorsese, he subsequently learned, from the very same New York City rental company. Alas, Romero reported that the two fans have not yet become aware of each other.