Star Wars V: The Empire Strikes Back

Star Wars Episode V: The Empire Strikes Back is a 1980 American space opera film directed by Irvin Kershner. The screenplay, based on a story by George Lucas, was written by Leigh Brackett and Lawrence Kasdan. It was the second film released in the Star Wars saga, and the fifth in terms of internal chronology.

The film is set three years after the destruction of the Death Star. The villainous Darth Vader and the elite forces of the Galactic Empire are in pursuit of Luke Skywalker, Han Solo, Princess Leia Organa, and the rest of the Rebel Alliance. While Vader chases Han and Leia across the galaxy, Luke studies the Force under Jedi Master Yoda. Vader uses Luke’s friends to set a trap for him, leading to a fierce confrontation between the black-armored Sith and the young Jedi which ends with a shocking revelation.

Following a difficult production, The Empire Strikes Back was released on May 21, 1980, and initially received mixed reviews from critics, although it has since grown in esteem, becoming one of the most popular chapters in the Star Wars saga and one of the most highly rated films in history. It earned more than US$538 million worldwide over the original run and several re-releases, making it the highest grossing film of 1980. When adjusted for inflation, it is the 12th highest grossing film of all time.

Trivia:

In the asteroid scene, one of the asteroids is actually a shoe. The rumor is that George Lucas asked the SFX people to redo the scene so many times that they got annoyed and one of them threw in their shoe.


Another of the asteroids is actually a potato. It appears just as the Millennium Falcon first enters the field. Two asteroids travel from the top left to the bottom right corner of the screen. Just after the second asteroid leaves the screen a third one appears in the top left corner. This is the potato.

 


Lighting for SFX was so strong that several models melted.

 


The AT-ATs were inspired by the walking machines in H.G. Wells’s “War of the Worlds” and their appearance was based on gantry cranes which are used in most shipping ports in the USA. Walking patterns of elephants were studied to make the movements seem as realistic as possible.

 


Further scenes with the Wampa were shot, and later cut. R2-D2 encountered one within the Rebel base, where it was killed by troopers. Later, the beasts were lured into a prison within the complex. In the completed film, a medical droid is seen examining the wounds of a tauntaun killed by a Wampa, and Princess Leia mentions the “creatures” while discussing the Imperial probe droid. A scene filmed but cut had Han, Leia and C-3PO running through a corridor. Han went to take a short-cut through a door with a sign on it, but Leia warned him “that’s where those creatures are kept”. They run off, but not before C-3PO rips off the sign, hoping that the stormtroopers will enter the room. They did. A few seconds of this last scene can be seen in the theatrical trailer on the DVD.

 


The blasters used by the stormtroopers were constructed from Sterling L2A3 Mk 4 submachine guns.

 


There seems to be many stories behind Alec Guinness and his role as Obi-Wan Kenobi. In George Lucas’s original treatment (When it was ALL one story instead of a trilogy), Obi-Wan lives throughout the whole story (A fact confirmed by Lucas in the DVD Commentary). However, Obi-Wan ends up getting killed off in the first film (Star Wars (1977), Episode IV: A New Hope). There are many stories as to why Lucas changed it. There are some stories that either Guinness demanded that Obi-Wan was killed off so he wouldn’t have to appear in any sequels or Lucas did it on his own much to the bitterness of Guinness. In the Star Wars (1977), Episode IV: A New Hope DVD Commentary, Lucas says that he felt it was a waste of Guinness’s talents to have him stand beside Leia in the control room during the Death Star battle (as it was scripted) and too outlandish to have the elderly Obi-Wan join the dogfight. So he killed off Obi-Wan in order to spur Luke on to going into Jedi training and defeat the Empire. In any event, when it came time to make Star Wars: Episode V – The Empire Strikes Back (1980), in which Luke begins his training, Lucas drew from the “ugly creature with mystical powers” mythological archetype (as he did when creating Star Wars) and created Yoda as Luke’s new Jedi master. Eventually, Alec Guinness was lured back into the role of Obi-Wan when he was promised more money. Therefore creating the “force spirit” motif that remains throughout the rest of the films, including the new trilogy.

 


The only Star Wars film not to gross $300 million domestically.

 


In the DVD commentary, Carrie Fisher relates that during some of the London filming, she stayed a house rented from Eric Idle. Idle and the Pythons were filming Life of Brian (1979) at the time. One evening, Idle had a small party, including Harrison Ford and The Rolling Stones, and served a potent liquor (which the Pythons had been distributing to extras on their film, to help boost morale) that he referred to as “Tunisian Table Cleaner”. They stayed up most of the night drinking and having fun. The first scenes shot the next day were the arrival at Cloud City, which she says helps explain why she and Ford were so happy in those scenes. Idle is said to be pleased that he had a small hand in how the finished film turned out.

 


Originaly, the scene where Han rescues Luke on Hoth was to have been filmed at Elstree Studios, and only Mark Hamill was needed on location in Norway. But when a blizzard made it impossible to film anywhere but near the hotel, Harrison Ford was summoned to Finse, anyway. Unable to travel by train, he arrived in the engine compartment of a snow clearance vehicle.

 


Carrie Fisher traveled to the filming location of Finse, Norway, even though she was not scheduled to take part in any outdoor scenes.

 


The Dagobah set needed to be elevated to give Frank Oz and three other puppeteers room to control the Yoda puppet from below. For proper interaction, Mark Hamill was given an earpiece so he could hear Oz doing Yoda’s voice. On numerous occasions, Irvin Kershner would give a direction to Yoda by mistake and Oz would have to remind him who to talk to.

 


Original start date of shooting at Elstree was slated to start in March 1979 but was delayed for three months because at that time, set 3 of the studio which was used for The Shining (1980) was burned down and had to be rebuilt at a higher scale

 


About twenty minutes into the movie there is a shot in the Hoth base control room in which we hear Han’s voice over radio describing what’s left of the probe droid. One of the background sound effects in this shot was taken from the Canadian shortwave time signal station CHU, which can be heard at 3.330 and 7.335 MHz.

 


Director Irvin Kershner provided the voice of Darth Vader himself in the temporary mix of the film, before James Earl Jones recorded the final version.

 


For the 2004 DVDs, the scene with Darth Vader and the Emperor were redone replacing Clive Revill with Ian McDiarmid who played the Emperor in the rest of the series. The dialogue was re-recorded with Ian McDiarmid and James Earl Jones. Some additional dialogue was added.

 


The scene in the Cloud City apartment where Han Solo enters to tell Princess Leia that the repairs on the Millennium Falcon are almost complete played out differently in the finished film than it did in the original script. There, Han Solo (Harrison Ford) is lounging around in the apartment when Princess Leia (Carrie Fisher) enters, having changed from the white combat clothes she wore on Hoth to the brown dress and having her hair done up differently. In surprised reaction to how she’s dressed, Solo attempts to flatter her (“You look beautiful. You should wear girls clothes all the time.”) and Leia teases him by mentioning Luke; the scene ended with them sharing a kiss. The film was originally shot this way, but director Irvin Kershner felt it wasn’t coming out right, so he re-shot it to appear as it does in the finished film. Excerpts of how the scene was originally filmed can now be seen on the special edition DVD.

 


Having Han Solo frozen in carbonite was (at least in part) due to the fact that they were not sure that Harrison Ford would return for a third film. When the original Star Wars (1977) was made Carrie Fisher and Mark Hamill were signed for a three picture deal, but Harrison Ford refused. Ford even requested George Lucas to kill off Solo, since the character had played its part already, but Lucas refused, saying that he still had a heroic part for Han Solo to play in Star Wars: Episode VI – Return of the Jedi (1983).

 


Production difficulties meant that the film went over budget by $10 million.

 


The biggest grossing film of 1980.

 


Second unit director John Barry joined the film after quitting Saturn 3 (1980) following a dispute with that film’s star, Kirk Douglas). Barry died of meningitis during production.

 


Director Harley Cokeliss, who was a friend of Frank Oz having worked with him on “The Muppet Show” (1976), visited the set towards the end of filming when the production team were struggling to get everything in the can before they ran over schedule. Cokeliss was hired on the spot as an additional director and is credited as one of the Second Unit Directors.

 


Irvin Kershner initially turned down the opportunity to direct the film as he felt that it would be too difficult to top the success of Star Wars (1977). He took the job when his agent convinced him that he shouldn’t pass on the opportunity to make a sequel to one of the most popular movies in history.

 


Principal photography lasted over 170 days, the longest shoot of any of the “Star Wars” movies.

 


Several crates of simulated snow as seen on the Hoth Hangar set were taken along to Finse, Norway, just in case there was not enough real snow lying about.

 


The entire Millennium Falcon was built live size for the first and only time for this installment (only half of the spacecraft was constructed for Star Wars (1977) and just part of it was used for the deleted sandstorm scene in Star Wars: Episode VI – Return of the Jedi (1983)). It measured 65 feet in diameter and 16 feet in height with a mandible giving it an overall length of 80 feet. The Falcon’s weight was 23 tons.

 


The Millennium Falcon was constructed in a hangar at Pembroke Docks where great flying boats were made in the 1930s. It was brought to Elstree studios, London in sixteen interlocking sections by a convoy of trucks. After reassembly, the Falcon was floated into position on the then brand new Star Wars stage by means of compressed air pads similar to those used on hovercraft.

 


Eight Artoo Detoos (R2D2) were used in the making of Star Wars: Episode V – The Empire Strikes Back (1980). Kenny Baker used two that were lighter and more comfortable than the ones from Star Wars (1977). Three were dummy versions which could be damaged and another three were remote controlled.

 


A total of 16 sets of Luke’s combat outfit (aka “Bespin fatigues”) were made.

 


Producer Gary Kurtz’s wife Meredith organized a picnic on the Dagobah set for the wrap party on Friday, August 31 1979.

 


During principal photography it remained unclear if Sir Alec Guinness would return as Obi Wan Kenobi. Guinness was suffering from an eye infection at the time and was still a bit upset about the last minute decision of his character being killed off in Star Wars (1977). He finally did agree and worked one day on the film: Wednesday September 5 1979

 


In order to avoid sharing creative rights, George Lucas decided to avoid using a major studio to finance this film. Instead, he bankrolled the $33 million production himself, using a combination of his profits from Star Wars (1977) and a bank loan. Although the move was risky, it paid off several times over. Lucas recovered his million investment within three months of the film’s release. He then showed gratitude far beyond the Hollywood norm, by sharing the profits with his employees (nearly $5 million in bonuses).

 


To preserve the dramatic opening of the Star Wars movies, George Lucas insisted on moving all the credits to the end of the film. However, although the Writers’ Guild and Directors’ Guild had begrudgingly allowed this on Star Wars (1977) (because that film wasn’t expected to be very successful), they resented the trend being continued on this film. First they tried to pull Empire from release, but were unsuccessful. They then fined Lucas heavily, and tried to fine Irvin Kershner, but Lucas paid all the fines himself (nearly $250,000). Lucas then bitterly dropped his membership in the Writers’ Guild, Directors’ Guild, and the Motion Picture Association of America, a move that has hindered his hiring choices on later films (see also Star Wars: Episode VI – Return of the Jedi (1983) and Star Wars: Episode III – Revenge of the Sith (2005)).

 


The carbon freezing chamber is the only time in the original trilogy that Darth Vader and C3PO can be seen on screen together.

 


A total of 64 sets were constructed for the movie.

 


Irvin Kershner’s involvement in the movie lasted a total of two years and nine months from start to finish.

 


The sound of Darth Vader’s shuttle door opening is reportedly a recording of a whole block of Alcatraz cell doors slamming shut.

 


The scene where Solo was hit by the toolbox as well as hitting the control panels were improvised on the set. At first, the crew were afraid of shooting it, but Irvin Kershner finally persuaded them to do so, saying “Come on, that’s fun. Let’s do it!”

 


The two other scenes, which are the swamps of Dagobah; and the asteroid’s creature (which has the Millenium Falcon) was done on the same sound stage used for the interior backgrounds of the Echo base in Hoth

 


The scenes where R2-D2 is submerged in the mud pool were shot in George Lucas’ unfinished swimming pool. Most of the crew were hidden under the water and the entire sequence was shot by George Lucas himself.

 


Luke cuts off the Wampa’s arm. C-3PO loses an arm when blasted by the Stormtroopers. Darth Vader cuts off Luke’s hand. See also Star Wars (1977) and Star Wars: Episode VI – Return of the Jedi (1983).

 


A scene where Darth Vader’s shuttle lands in his Star Destroyer’s landing bay, after his light saber fight with Luke, was added to the Special Edition. This was actually an unused scene from Star Wars: Episode VI – Return of the Jedi (1983)

 


More scenes of the AT-ST Imperial “chicken walkers” were filmed, but George Lucas decided that the larger AT-ATs were more menacing and impressive. He later realized that the AT-STs would work better in close quarters, which led to using them extensively in the forest battle in Star Wars: Episode VI – Return of the Jedi (1983).

 


Billy Dee Williams had previously auditioned for Han in Star Wars (1977).

 


The incident where R2-D2 accidentally electrocutes himself by mistaking a power outlet for a computer terminal was taken from the novelization for Star Wars (1977).

 


For the Special Edition, Vader’s “Bring my shuttle” line has been replaced with, “Alert my Star Destroyer to prepare for my arrival.” Sound designer Ben Burtt has confirmed that this is actually a line performed by James Earl Jones that was recorded for use in Star Wars (1977), but never used.

 


The following characters “have a bad feeling about this”: Leia. See also: Star Wars (1977) and Star Wars: Episode VI – Return of the Jedi (1983).

 


Jeremy Bulloch, who plays Boba Fett, is producer Robert Watts’s half-brother.

 


Denis Lawson plays Wedge Antilles. Wedge was not originally scripted to appear in this film, but intense fan interest prompted George Lucas to include him. See also Star Wars: Episode VI – Return of the Jedi (1983).

 


Leigh Brackett succumbed to cancer shortly after completing her first draft of the script of the film.

 


The voice-over line “The first transport is away” during the Rebel evacuation was re-recorded by ‘Mark Hamill 1997 for the Special Edition release.(I)’.

 


Mark Hamill’s wife gave birth to their first son (Nathan Hamill) early one morning, and Mark went straight from the hospital to shooting. This was the day they filmed the shots of Luke hanging by the weather vane below Cloud City, on Bespin.

 


After an extra fell sick, Jeremy Bulloch (Boba Fett) was called in as a replacement to the Imperial Guard who escorts Princess Leia and pulls her into the elevator after she screams “Luke! It’s a trap!”. He’s the same Imperial Guard who is captured by Lando Calrissian’s men.

 


In the original script when Lando is about to lead Han, Leia, and Chewie into the trap set by Darth Vader, Lando offers his arm to Leia, as a gesture to lead her down the hallway and she accepts it. Harrison Ford ad-libbed Han coming up behind Leia and offering his arm to her at the exact same moment to imply that Han was jealous.

 


Carrie Fisher stood on a box for many of her scenes with Harrison Ford in order to make up for the height difference and have her appear in the frame with him. Carrie Fisher is about a foot shorter than Harrison Ford.

 


Luke is upside-down at the beginning (Wampa cave), in the middle (training on Dagobah), and at the end (below Cloud City). He uses the Force each time.

 


The shots where Luke uses his Jedi powers to retrieve his lightsaber from a distance were achieved by having Mark Hamill throw the lightsaber away and then running the film in reverse.

 


Darth Vader’s costume was more detailed in this film, including the flashing red lights on his chest box. A new Millennium Falcon (32-inches long) was built for this film and has two additional landing gear boxes on its underside. As a result, the original Star Wars (1977) model (5-foot long) was modified and given the extra landing gear bays and was used for all FX scenes of the Falcon in a landed position.

 


The concept design for Cloud City was originally created for Star Wars (1977) (as a floating Imperial prison), but was never used. The design was recycled for use in this film.

 


The lightsaber fight scenes set in the carbon freezing chamber tend to focus on Luke. This is because during many of the shots, Bob Anderson (Vader’s fight double) was not wearing the Darth Vader helmet, as it made it difficult for him to breathe.

 


Mark Hamill had to bang his head 16 times on the ceiling of Yoda’s hut before the director was satisfied.

 


During the filming of the Battle of Hoth, the Echo Base troops were actually Norwegian mountain-rescue skiers. In exchange for participation in the film, Lucasfilm made a donation to the Norwegian Red Cross

 


George Lucas was so impressed by Frank Oz’s performance as Yoda that he spent thousands of dollars on an advertising campaign to try and get him an Oscar nomination for Best Supporting Actor. Lucas’s campaign ultimately failed because it was felt that a puppeteer wasn’t an actor.

 


Han Solo is the only non-Jedi/Sith in the entire original trilogy to ever use a lightsaber when he cuts open the tauntaun’s belly.

 


For the Dagobah scenes, Mark Hamill was the only one listed on the callsheets as an actor. Everyone else was listed as crew.

 


George Lucas decided that a battle on an ice planet was necessary because he felt that it was easy to “cheat” in space, because the background was black and you could hide errors easily. With a white background, the effects crews would have to work much harder, and the effects would be much more impressive.

 


The book “Star Wars: The Annotated Screenplays” reveals that, when the script for this movie was first written, the idea of it being “Episode V” of a 6 (or 9) part serial had not yet been established, and it was at one point called Episode II.

 


The AT-AT Imperial walkers were all animated through classic stop-motion techniques, except for the scenes where they fall, for example the walker which is “tripped up” by cables and falls on its face, or the one that Luke throws a grenade into, which falls on its side. These were filmed in real-time with precision-timed mini-pyrotechnic charges.

 


Most of the rebel ground troops in the Hoth battle were Norwegian extras. Because they didn’t speak any English, Irvin Kershner had to “act out” what he wanted them to do, by pointing in the direction of the “enemy” (which wasn’t visible during shooting) and demonstrating the recoil motion he wanted for the blaster rifles.

 


With the exception of being sucked out of a Cloud City window, Mark Hamill did all of his own stunts.

 


Most of the extras in the snowy battle scenes on the ice planet Hoth (shot at Finse, Norway) were Norwegians. One of the extras – Tom Egeland – would later become the chief news editor for one of Norway’s largest TV networks, as well as a critically acclaimed mystery writer, one of the others – Arve Juritzen – would become one of Norway’s best known TV-personalities (hosting eg. “Vil du bli millionær?” (2000), “Big Brother Norge” (2001)).

 


Yaphet Kotto was offered the role of Lando Calrissian, but turned it down because he believed he would be killed off and it would be difficult for him to find work after that.

 


Producer Gary Kurtz came up with the title for the movie.

 


Producer Gary Kurtz directed the scene in which Luke flees the Wampa ice cave. Kurtz took over John Barry’s second unit duties after Barry suddenly died on the set, and until his replacement, Harley Cokeliss, arrived.

 


Temuera Morrison who played Jango Fett in Star Wars: Episode II – Attack of the Clones (2002) re-dubbed Boba Fett’s lines for the 2004 DVD.

 


As Yoda and Obi-Wan urge Luke to stay on Dagobah to finish his training, Luke pulls a snake from his spaceship. Irvin Kershner assured Mark Hamill that the snake was harmless, though it did bite him during one take.

 


The only Star Wars Original Trilogy film that does not take place on the desert planet Tatooine (although it is mentioned by name at the end of the film). Tatooine also appears in Episodes I, II, and III, making it the only planet that appears five times in the entire saga.

 


At 30, has the lowest body count of the entire Star Wars saga.

 


One of the first ideas for Lando Calrissian was to have him as a clone who survived the Clone Wars who leads legions of clones on a planet they settled on. Another idea had Lando as the descendant of survivors of the Clone Wars, born into a family who reproduced solely by cloning. Originally, his name was “Lando Kadar”.

 


One of the bounty hunters that Darth Vader hires to find Han Solo, IG-88, can be seen in the Cloud City. IG-88 is a droid, and his dead body is sitting next to a furnace in the room where C-3PO is dismantled.

 


WILHELM SCREAM: Heard twice in the film. Once during the battle on Hoth as a rebel soldier and his laser gun dish explodes. And right before Han is going to frozen in the carbonite. As Chewie, in a fit if rage, throws a stormtrooper of the ledge (barely audible).

 


The sound of R2-D2 moving was produced by recording the sound of a car window motor in operation.

 


The sound of the Tauntauns was produced by recording the sound of an Asian sea otter named Moda.

 


The sound of the snow swirling on Hoth was produced by recording surf sounds and then alternately increasing and decreasing the volume.

 


The entire sequence with the Wampa attack was designed to explain the difference in appearance of Mark Hamill, who had been in involved in a car accident in between shooting and had a large chunk of his nose missing. Noticeably, Kershner does not show much of Hamill’s nose before the Wampa attack. The scene, however, was part of the story before Hamill’s accident.

 


Voted #8 in Total Film’s 100 Greatest Movies Of All Time list (November 2005).

 


Kurt Russell auditioned for the role of Han Solo.

 


Darth Vader was ranked #3 on the AFI’s list of 50 Greatest Villains

 


This is the first film to have a 5.1 surround sound mix.

 


Production was stopped at one point following the death of production designer John Barry. Norman Reynolds took over Barry’s duties.

 


Yoda’s appearance was originally designed by British makeup artist Stuart Freeborn, who based Yoda’s face partly on his own and partly on Albert Einstein’s, as his eyes are supposedly inspired by the latter. Yoda is voiced by Frank Oz. In the original Star Wars trilogy, he is realized as a puppet (controlled by Oz).

 


In an interview with Cinescape magazine, director Irvin Kershner said that he thought the first film was trashy and how he had no interest in films with special effects. However, he was won over by George Lucas, although Kershner was determined to make the film more about characterizations than hardware. Kershner spent several months working on the script, pushing the writers into humanizing the characters more (something that Lucas has often been criticized for failing to do).

 


Gary Kurtz was initially reluctant for Lucas to hand over the reins to another director. It was only because Lucas trusted Kershner, his former teacher at USC, that Kurtz agreed to the move.

 


Despite having his dialogue rerecorded by Ian McDiarmid for the DVD release of the film, Clive Revill is still credited as “Voice of Emperor” in the DVD version’s credits.

 


The chasm deep in the heart of Bespin in which Luke and Vader have their lightsaber duel was created using a matte painting. The same strategy was used in the original film in the scene where Luke and Leia blast Stormtroopers across an inactive bridge.

 


When shooting on location in Norway, a fierce snow storm hit the hotel where cast and crew were staying. This would have normally halted filming, but director Irvin Kershner thought these weather conditions were an excellent opportunity to film the scene where Luke wanders through the snow after escaping the Wampa cave. He did this by sending Mark Hamill outside into the cold, while he and the cameraman stayed and filmed inside the hotel’s front hall.

 


When Han Solo is about to be frozen, Princess Leia says, “I love you.” In the original script, Han Solo was supposed to say, “Just remember that, Leia, because I’ll be back,” but at the time of filming, Harrison Ford wasn’t entirely certain he did want to come back for a third film. There is a recurring legend that his line, “I know”, was ad-libbed; however ‘Alan Arnold”s book “Once Upon A Galaxy: A Journal of the Making of The Empire Strikes Back” includes a transcription of the discussion between Ford and Irvin Kershner in which Ford suggested the line.

 


Howie Weed, an ILM staffer who assisted in designing the Wampa costume for the Special Edition, was cast as the Wampa for the film after he was used as the model for the costume. As he is 6 feet tall, the ice cave set for the re shoots was built with a height of 4 1/2 to 5 feet to create the illusion of the Wampa being closer to 8 or 9 feet in height.

 


In the Hoth command center, Han references “That bounty hunter we ran into on Ord Mandell”. “Rebel Mission to Ord Mandell” was released in 1983 as an NPR radio drama, and later on 33 1/3 LP. It starred the voices of many of the original cast.

 


Jim Henson, a friend of George Lucas, was offered the role of Yoda. Henson turned it down, but suggested it to Frank Oz.

 


It was rumored that Billy Dee Williams (Lando Calrissian) was bothered by the fact that there were no black people featured in the original Star Wars (1977) film. The story goes that Williams approached George Lucas and complained that the film had a complete dearth of African-American characters. Williams had touched on a long-standing debate in Hollywood about casting black actors in science-fiction movies. Lucas, unaware of this oversight, offered the role of Lando to Williams.

 


Voted #3 On Empire’s 500 Greatest Movies Of All Time (September 2008)

 


Boba Fett’s action figure was originally to have had a rocket-firing mechanism, but after a child choked to death on a similar toy, Kenner dropped the mechanism and made the rocket stationary. A trace of the rocket launcher survived to the completed toy, however, as there is a rectangular area on the backpack in which the rocket launcher would have been embedded. The version with the mechanism is now considered the longest-running unobtainable action figure; contrary to popular belief, it was never sold to the public.

 


The bounty hunters are never referred to by name. Every time Boba Fett is referenced, he is called “the bounty hunter”.

 


Yoda’s iconic manner of speech (i.e: “begun the war has” and things like this) is actually most always what you get if you translate English literally from Latin.

 


It has been widely rumored that Luke’s injury early in the film was included to explain the difference in Mark Hamill’s appearance, as a result of a car accident he had been in shortly after the release of the first film. In fact, however, that scene was already in the early drafts of the script before Hamill’s accident.

 


Was filmed at the same studios as Stanley Kubrick’s The Shining (1980). Author Stephen King visited the set, and many aspects of this film affected King’s later work. Irvin Kershner was nicknamed “Kersh” on the set. King’s novel [i]It[/i] features a character named Mrs. Kersh, who sounds like Yoda. King’s fifth Dark Tower novel, [i]Wolves of the Calla[/i], features a messenger robot similar to C-3PO. In his revision of the first Dark Tower novel, [i]The Gunslinger[/i], a town formerly known as Farson is renamed Taunton. Writer Lawrence Kasdan went on to direct Dreamcatcher (2003).

 


This movie featured the first appearance of the Emperor whom appeared as a hologram to Darth Vader. The ‘Emperor’ was actually portrayed by an elderly female stand-in with a hood and heavy makeup. The yellow, Dark-Force eyes were in fact chimpanzee eyes superimposed over the stand-in’s eyes to give the Emperor a less-human, more unworldly look. The Emperor’s voice was provided by Clive Revill who provided the voice only and not the appearance.

 

Skullduggery released March 6, 1970

skullduggery 1970

Skullduggery is a 1970 science fiction film starring Burt Reynolds, Susan Clark and Edward Fox.

The screenplay is based on the French novel Les Animaux dénaturés by Jean Bruller.

Plot: On an expedition in Papua New-Guinea a tribe of apelike creatures is found. They are named the Tropis. Quickly they are being used as slaves by humans.

Then one of the Tropis is allegedly murdered. The following murder trial centers round the question: are the Tropis a form of humans or a form of animals?

Trivia:

  • Based on the novel “Ye Shall Know Them” by the French novelist, Vercoeur. Vercoeur was allegedly the pseudonym for Pierre Boulle who wrote Planet of the Apes (1968).
  • Producer Saul David created and named the character of Berle Tanen in honor of then-MCA executives Berle Adams and Ned Tanen.

The Beast Within released February 12, 1982

The Beast Within


The Beast Within is a 1982 horror film directed by Philippe Mora. Screenplay by Tom Holland, based on the novel by Edward Levy. Starring Ronny Cox, Bibi Besch, Paul Clemens, L. Q. Jones, Don Gordon, R. G. Armstrong, Katherine Moffat, Meschach Taylor.

Its release came the year after the horror-comedy An American Werewolf in London, but before Teen Wolf, both of which have similar plots. It is rated R in the United States.

The film is a very loose adaptation of Edward Levy’s 1981 novel. The screenplay was written by Tom Holland, his first feature film script. It was dismissed by critics upon release as being cheap and exploitative. In more recent years it has gained a cult following.

Trivia:

  • The names “Curwin” and “Dexter Ward” are characters from the horror novel “The Case of Charles Dexter Ward” by Howard Phillips Lovecraft.
  • The translation into English of the German title is “The Angel Face: Three Nights of Horror.”
  • Actor Ronny Cox, who plays Eli MacCleary, also wrote and performed the country music featured in the film.
  • One shoot, at an abandoned hospital, fell on Friday the 13th. The crew became convinced the location was haunted as throughout the evening the lights and the elevator turned on and off by themselves.
  • Along with Joe Dante’s The Howling (1981) this film pioneered the trend of air-bladder special effects makeup. For Michael’s transformation scene small plastic sacks (often condoms or balloons) would be embedded into the layers of makeup and face castings. Later while filming these sacks would be inflated through tubes and it would help to give the appearance of the skins distortion. The same technique became popular in the genre throughout the 80′s being used in such horror films as Dèmoni (1985), Fright Night (1985), and Evil Dead II (1987).
  • This was the final feature-length score for composer Les Baxter, who considered it to be one of his finest.
  • Star Paul Clemens was very enthusiastic about having the role of Michael MacCleary because he was an avid fan of the horror genre. Clemens would even enjoy the extensive makeup work that would take hours to apply to him.
  • This film became a staple on Joe Bob Briggs’ Monstervision series, though the network would heavily edit the film.
  • This was the feature film debut for horror genre regular Tom Holland – who wrote the script.
  • The films French title is Les Entrailles de l’enfer, which translates to “The Entrails of Hell” in English.
  • Director Philippe Mora once referred to this film as an “encyclopedia” of horror movies.

The Sentinal released January 7, 1977

The Sentinel

The Sentinel is a 1977 horror film starring Chris Sarandon & Cristina Raines. It is based on the same-named novel by Jeffrey Konvitz who also co-wrote the screenplay with director Michael Winner. It is completely unrelated with the 2006 political thriller of the same name.

Trivia:

  • There was a bit of controversy surrounding this film upon its release when it was leaked that director Michael Winner used real human oddities for the Dead rising up from hell scene at the film’s conclusion.
  • Cameo: [Richard Dreyfuss] Man talking to girl in red sweater as Cristina Raines and Deborah Raffin are walking on the sidewalk.
  • Universal had hoped to sign on ‘Don Siegel (I)’ as director, but Siegel ultimately bowed out due to his discomfort with this particular movie genre.
  • Kate Jackson was asked to play Alison Parker, but turned down the part.
  • The book on Milton’s poems that Professor Ruzinsky hands to Lerman was edited by Maurice Kelley (1903-1996), an actual Milton authority.
  • This film was #46 on Bravo’s 100 Scariest Movie Moments.
  • Universal Pictures had hoped to sign on Don Siegel as director, but Siegel ultimately turned the offer down due to his discomfort with the particular horror genre.
  • Tom Berenger (who would in star in The Big Chill and Platoon in the 1980s) and Nana Visitor (who would have a lead role in Star Trek: Deep Space Nine in the 1990s and played Pamela Voorhees in the remake of Friday the 13th) make early appearances at the end as possible tenants looking at the apartment building.
  • This film is mentioned in the 1989 Tom Hanks film The ‘Burbs (which was also distributed by Universal).
  • The Dark Crystal released December 17, 1982

    The Dark Crystal is a 1982 fantasy film directed by puppeteers Jim Henson and Frank Oz, creators of The Muppet Show. Although still marketed as a family film, it was notably darker than previous material created by them. Characters for which they are famous do not appear, but some of the same performers are used. The animatronics used in the film were considered groundbreaking at the time. The primary concept artist was the fantasy illustrator Brian Froud, famous for his distinctive faerie and dwarf designs. Froud also collaborated with Jim Henson and Frank Oz for their next project, the 1986 film, Labyrinth which was notably more light-hearted than The Dark Crystal.

    The Dark Crystal was produced by Gary Kurtz, whose list of credits includes American Graffiti, Star Wars Episode IV: A New Hope, Star Wars Episode V: The Empire Strikes Back, Return to Oz, and Slipstream. The screenplay was written by David Odell, who had worked with Henson as a staff writer on The Muppet Show. Trevor Jones provided the film’s atmospheric music. The movie makes an attempt to study the nature of good and evil in terms of conscience, destiny, and the triune nature of harmony. The film was produced by ITC Entertainment, the British production company responsible for producing The Muppet Show.

     

    John Carpenter’s Starman is a 1984 science fiction-fantasy film directed by John Carpenter which tells the story of an alien (Jeff Bridges) who has come to Earth in response to the invitation found on the gold phonograph record installed on one of the Voyager space probes.

    The screenplay was written by Bruce A. Evans, Raynold Gideon and Dean Riesner (uncredited). Bridges was nominated for the Academy Award for Best Actor. The film inspired a short-lived, 1986 television series of the same name which starred Robert Hays and Christopher Daniel Barnes.

    Trivia:

    • Producer Michael Douglas considered several directors, including Mark Rydell, Adrian Lyne, John Badham and Tony Scott, before settling on John Carpenter.
    • Jeff Bridges’ character (Starman) walks in and buys a Cadillac “cash”. In the film Thunderbolt and Lightfoot (1974), Bridges character (Lightfoot) exclaims that one day he would like to walk up and buy a Cadillac with cash.
    • This script was being developed at Columbia at the same time as another script about an alien visitation. The studio did not want to make both, so the head of the studio had to choose which film to make; he decided to make this one and let the other script go to a rival studio. The other script was for _E.T. the Extra-Terrestrial (1982)_.
    • The only John Carpenter film to have an Academy Award nomination (Jeff Bridges, Best Actor).
    • The role of Starman originally went to Kevin Bacon.
    • When Jeff Bridges walks outside the house naked and uses a ‘marble’ his hair seems to stand on end. This effect was actually created by shooting Bridges hanging upside-down and then matting the shot onto the background the right way up to give him a surreal look.

    Flash Gordon released December 5, 1980

    Flash Gordon is a 1980 science fiction film, based on the eponymous comic strip character Flash Gordon. The film was directed by Mike Hodges and produced by Dino De Laurentiis. It stars Sam J. Jones, Melody Anderson, Chaim Topol, Max von Sydow, Timothy Dalton, Brian Blessed and Ornella Muti. The screenplay was written by Michael Allin and Lorenzo Semple, Jr. It intentionally uses a camp style similar to the 1960s TV series Batman (for which Semple had written many episodes) in an attempt to appeal to fans of the original comics and serial films. The film is notable for its soundtrack composed by rock band Queen.

    [youtube=http://www.youtube.com/watch?v=uh8KVG8j68I]

    Melody Anderson

    Trivia:

    • There is a rumor that the monitor behind Hans Zarkov (Topol) as he is having his memory dumped shows scenes from Topol’s previous movies.
    • Dino De Laurentiis originally hoped that Federico Fellini would direct this film. The director had actually contributed to the original Flash strip cartoon during WWII.
    • Kurt Russell auditioned to play Flash Gordon.
    • Sam J. Jones was cast in the role after being spotted by the mother-in-law of Dino De Laurentiis on an episode of “The Dating Game” (1965)
    • At one point Ming the Merciless says when he destroys a planet, he calls upon “the great god Daizan”. Daizan is Japanese for “great cruelty”.
    • Max von Sydow’s Ming costume weighed over 70 pounds and he could only stand in it for a few minutes at a time.
    • The psychedelic color effects throughout the Ming universe were accomplished by swirling multicolored dyes through creatively-lit tanks of water.
    • One of the feast items in the Hawkmen’s Kingdom was Twinkies colored with food dye.
    • Nicolas Roeg was originally going to direct, but didn’t due to creative difference. One of his proposals was to excise the trademark cliffhangers and melodrama, seeing Flash as more of “a metaphysical messiah.”
    • Dennis Hopper was considered for the role of Dr Zarkov.
    • Leon Greene was re-voiced by David de Keyser.
    • John Osborne only has two lines.
    • Mike Hodges was the eighth director chosen.
    • Director Mike Hodges, referring to the numerous production problems that plagued the film, once called it “the only improvised $27-million movie ever made”.
    • The insignia on Klytus’s uniform is based on Masonic symbols.
    • Princess Aura’s “pet” is named Fellini. Production Designer Danilo Donati worked on a number of Federico Fellini films.
    • George Lucas had hoped to remake the original Flash Gordon (1936/I), but when he learned that Dino De Laurentiis had already bought the rights, he wrote Star Wars (1977) instead.
    • Mike Hodges considered commissioning Pink Floyd to compose the music.
    • First film of Jim Carter.
    • The backstory of Flash’s T-shirt was that it was a gift from an anonymous female fan. Flash wore it a lot in the hopes that he would eventually meet the woman.
    • In the original script, when Flash is sentenced to death by Ming, Dale bursts out that Ming is “absolutely merciless”. Ming is enthralled with the description, and immediately starts calling himself “Ming the Merciless”.
    • According to the original storyline, when Dale is entranced by Ming’s hypnotic ring, she is having a vision of being on an erotic picnic with Ming in a 1920′s setting.
    • Klytus and Kala, Ming’s two chief henchmen, were competitors for their ruler’s favor. Ming played them off against each other to keep them from teaming up against him. This was downplayed in the film to keep the storyline fluid.
    • In the original script, Flash and Dale first meet at a Canadian resort called Dark Harbor. Although they flirt with each other, they don’t become acquainted until they’re sharing the ill-fated plane ride to New York City. Dale later talks briefly about Dark Harbor during her tear-filled meeting with Flash before his execution.
    • Dr. Zarkov’s backstory was that he was a NASA scientist who was fired for his paranoid fantasies that Earth was going to be attacked from outer space. Sixty Minutes derided him as “A Poor Man’s Billy Mitchell”.
    • Ming’s attack on Earth was accomplished by bombarding the moon with force beams, knocking it out of orbit. The meteors which disrupt Flash’s airplane flight were burning chunks of lunar debris.
    • Sam J. Jones’ dark hair was bleached blonde for this role, and Melody Anderson’s blonde hair was dyed brown. Flash was also supposed to have blue eyes, but Sam could not wear the contact lenses.
    • Ming’s symbol (which Klytus also wears on his gauntlets) is borrowed from the Freemason’s square and compass. Ming also makes a Masonic gesture during the course of the movie.
    • The wristwatch Flash is wearing in the early scenes of the film is a Seiko automatic chronograph, model 6139-6002. The watch disappears when Flash gets to Mongo.
    • All the main actors were signed for multiple films but the sequels were never made since the first movie didn’t do as well as expected.

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    Motel Hell released October 18, 1980

    motel_hell

    Motel Hell is a 1980 horror comedy film directed by Kevin Connor and starring Rory Calhoun as farmer, butcher, and meat entrepreneur Vincent Smith. Often seen as a satire of modern horror films such as Psycho and The Texas Chain Saw Massacre because of its low budget nature, the original intent was to make a serious horror film, with moments of disturbing wit and irony. The film’s score was composed by Lance Rubin.

    Tagline: You might just die…laughing!

    Trivia:

  • Future Cheers star John Ratzenberger appears briefly as a member of the punk rock group Ivan and the Terribles.
  • Co-star Monique St.Pierre was Playboy’s 1979 Playmate of the Year.
  • When Sheriff Smith asks Terri to the movies he says it is Monster _That Challenged the World, The (1957)_. Not only is this a real movie, but the scenes shown were actually from it.
  • Tobe Hooper was originally going to direct this movie for Universal Studios, but when the studio balked at the bizarre project, Hooper also departed.
  • The chainsaws images were inspired by The Texas Chain Saw Massacre (1974).
  • Actor ‘Paul Linke’ lost 25 pounds to play the lead. He was carrying the extra weight to play Grossman on “CHiPs” (1977).
  • The screenplay for this film was written years before it went into production. The film had a difficult time finding backing. In 1978 it was picked up by the Camp Hill Company and was shot and completed in 1980. In all it was nearly 10 years from the time the script was written to the final release of the film.
  • Universal Studios was originally approached with the film, but the studio disliked the film’s bizarre nature so it was rejected. United Artists ultimately picked it up for release.
  • Monique St.Pierre

    Monique St.Pierre

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